Earlier this year, I had the opportunity to work on a project showcasing the XF500mm f/5.6, collaborating with Fujifilm to photograph wing foilers in Hood River, Oregon. We chose this sport for its newness and technical complexity—it’s fast, dynamic, and fits perfectly within the tight frame of a 500mm f/5.6 lens.

Every once in a while, there’s a camera that truly sends waves through the photographic industry. Something that transcends the technical specifications and pixel peeping that we all do as photographers. The new Fuji GFX100 II is that camera.

A wildly subjective look at Fujifilm’s latest film simulation Reala Ace…

Back in art school digital photography was something you only heard about. Rumors of newspaper stringers and large product studios using these mystical cameras for either super low-resolution work (newspaper) or high-resolution inanimate objects like a Nike Air Jordan. We were all still shooting film, so much film I’m pretty sure my lab fees were higher than my actual tuition.

Every once in a while, there’s a camera that truly sends waves through the photographic industry. Something that transcends the technical specifications and pixel peeping that we all do as photographers. The new Fuji GFX100 II is that camera.